Recording Diary v51
We started work on "Sodom" last eve.
I first played a rhythm guitar track via the "11" plug in. We chose a clean tone effected heavily with tremolo. I ran through the whole song in about 1/2 hour or so.
Next we set up two basses. I played a Fender Precision via an old Ibanez analogue delay and Craig used his Von 8 string bass running through a delay that was synced to the track. We then perfected our parts, finally landing on a 16th note fast groove over the drums. The two basses played in tandem created a wonderful rhythmic texture that we are super happy with. We ran the song a few times and found the second take did the job.
Craig then pulled out the Mutated "bent" Joy stick and an it through a bunch of delays and recorded ambient treatments/noise at the out section of the song.
We have 7 min repetitive opus on our hands. Kinda "Interstellar Overdrive" meets "Stereolab" -after they both ate some bad pork.
That is all.
Seacrest Out.
I first played a rhythm guitar track via the "11" plug in. We chose a clean tone effected heavily with tremolo. I ran through the whole song in about 1/2 hour or so.
Next we set up two basses. I played a Fender Precision via an old Ibanez analogue delay and Craig used his Von 8 string bass running through a delay that was synced to the track. We then perfected our parts, finally landing on a 16th note fast groove over the drums. The two basses played in tandem created a wonderful rhythmic texture that we are super happy with. We ran the song a few times and found the second take did the job.
Craig then pulled out the Mutated "bent" Joy stick and an it through a bunch of delays and recorded ambient treatments/noise at the out section of the song.
We have 7 min repetitive opus on our hands. Kinda "Interstellar Overdrive" meets "Stereolab" -after they both ate some bad pork.
That is all.
Seacrest Out.
posted by MBO at 10:32 AM
5 Comments:
Sodom huh.
Do you think America has become a modern Sodom?
can you include the lyrics to the songs in this diary. so we can see how they evolve along with the sounds.
7 min repetitive opus...joy! I like that
and I also like this simple, non produced version of..
http://www.youtube.com/watch?v=DKOc2S1AkjE
Modern Sodom? No. I'm not sure I'd fall in line with that kind of moralizing.
Lyrics are not totally complete..but they subscribe to the Eno/Byrne idea of how the words musically sound, over what they mean. At least at this stage.
Just like CASIO
quiero escuchar eso!!!
http://lavidadelascosas.blogspot.com/2007/08/1.html
Sodom Me
legal-ly
Two Thousand Three
Sodom Me
Legal-ly
reverbio
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